 Having re-energised the franchise with 2005’s Batman Begins, Christopher Nolan delivers a stunner of such ferocity that audiences are well advised to duck for cover.
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 “I always thought marriage was a type of illness, like chicken pox,”
says Richard. His narration establishes what could be a macabre comedy,
yet also a portent of dramatic misfortune, and in truth is a little of
both.
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 Mamma Mia, here we go again: another day, another musical.
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 Matt Norman’s insightful documentary about his uncle Peter - Olympic
champion and holder of the Australian 200m record – is a telling record
of politics and sport.
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 Deep in the heart of this half-cocked apology for an
action-comedy drama is a gem of an idea. Hancock is a superhero who has fallen
on hard times.
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 When does a standard operating procedure become a criminal act? So asks
Morris’ hard-hitting documentary, which uses the incendiary events at
Iraq’s Abu Ghraib prison to illustrate the US administration’s policy
of extraordinary humiliation and abuse in the processing of POWs.
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 When an Egyptian police band arrives in Israel to promote
cross-border and cross-cultural harmony, they hardly expected the keys of the
city.
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 Poppy Cross likes to make people happy. Not as a jolly blend of Maria
von Trapp and Mother Theresa, but in a wilfully sunny manner that
highlights the shiny side of life.
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 The tale of Mongolia’s mightiest warrior comes with its fair share of
carnage, yet this can-do tale of the Khan who did is not all death and
decapitation.
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 Why has the Hulk returned? Mostly to slot him into the same Marvel
universe as other superheroes, spawn an avalanche of serum-induced
franchises, and sell a few more action figures.
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