 If you don’t like the band U2, you won’t like U2 3D, for the film is nothing more than a concert experience, a glorified music video.
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 “Paris. No one’s ever happy. We enjoy that.” This not unfamiliar
complaint of urban dwellers is heard in Klapisch’s likeable comedy, a
multi-layered exploration of love, loss and relationships, Gallic
style.
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 Rupert Everett stars as both Clarence and Millicent Fritton
in this update of the much-loved Ealing comedy.
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 Before the Devil Knows You’re Dead is one of this year’s best films, says Colin Fraser
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 Nancy Oliver, a frequent scribe on TV’s Six Feet Under, penned this extraordinary dramatic comedy.
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 The books of Gabriel Garcia Marquez tread a fine line between earnest melodrama and magical realism. What’s eloquent on paper risks appearing sudsy on screen...
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 The Dinner Guest is another of those French comedies we’ve come to know so well, because they’ve been making the same film for years.
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 Harry Houdini adjacent to an
under-construction Sydney Harbour Bridge sets an eloquent opening tone in
Armstrong’s vivid romance, which strives to be many things.
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 Sleuth (1972) let loose two vicious men whose sense of propriety was, at
the very least, limited.
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 Van Sant’s amoral thriller is an abstract lesson in Western
indifference and lack of culpability.
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