 Director Joe Wright keeps Atonement close to its literary source while adding
first-rate performances and the exquisite production values of
Merchant-Ivory.
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 Director Todd Haynes (Far From Heaven) turns his lens on one of the
20th century’s greatest iconoclasts - Bob Dylan - in this sweeping, often bewildering
epic.
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 2 Days In Paris is the kind of biting comedy Woody Allen could once
have made; a non-stop talk-fest that, for all its laugh-out-loud
moments (and there are many), engages the audience with its intimacy.
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 In compressing Phillip Pullman’s His Dark Materials trilogy, director Chris
Weitz has created a juggernaut of a film that veers from scene to scene
with all the grace of a, well, juggernaut.
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 Coeurs is sometimes tragic, sometimes amusing but most of the time it
fails to ring true. At best, this is a protracted, uneven affair that,
nevertheless, will find favour with enthusiastic Francophile audiences
of a certain age.
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 Hunting And Gathering is
a small, sweet drama in which lonely people find a way to get more out
of life - it may not shake your world, but it will
certainly add something to it.
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 For all its bravado (“I AM BEOWULF!”), this film is saddled with ridiculous situations and unintentionally hilarious dialogue.
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 1408's genuinely creepy tone is replaced by increasingly silly, if
astonishing set pieces as the ghosts turn up the heat.
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 Never was a documentary so well titled. This examination of obsession
was nominated for a Grand Jury Prize at Sundance for, among other
reasons, its capacity to surprise.
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 In most regards, September is a companion piece to Somersault and
Romulus, My Father: the former for its haunting, ethereal tone; the
latter for an acute sense of time and place.
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