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Starring Meryl Streep, Tom Cruise
Directed by Robert Redford
Three sets of people wring their hands about the future. A brash Republican senator is selling his war-stopping plans to a seasoned journalist; across town, a leftie lecturer tries to guide a cynical student by citing two men who enlisted to make a change: although they’re lost in Afghanistan and waist deep in trouble, they’re doing the hard work while others sit and bitch.
If this sounds like a typical Sunday morning across the Western world, it should. Lions For Lambs takes its title from a German poet who likened slaughtered English soldiers as lions compared to their lamb-like leaders. Redford draws comparisons between foot soldiers and a duped public, and today’s Middle Eastern mire. His point is about action; that Rome is burning and everyone must stand for their beliefs. “Envelope stuffing is action,” he says and for better or worse, even the senator is stepping up to the line.
Though largely a political yak-fest, Lions For Lambs is a surprisingly tense, sometimes thrilling reflection on combat. Redford, Streep and Cruise deliver bold performances; the film’s newcomers are no less engaging. It’s an impassioned movie that stands in poignant defiance to the wet-dream ravings of The Kingdom; a timely body blow to apathetic hand-wringers everywhere.
4/5
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CONVERSATIONS WITH MY GARDENER (M) |
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Starring Daniel Auteuil, Jean-Pierre Darroussin
Directed by Jean Becker
Though billed as a comedy, this is much more a genteel study of manners as two older men become reacquainted under Becker’s studied direction. There are no explosive car chases, no frantic sex scenes; nothing more provocative than watering tomatoes on a summers evening.
Two boys parted company at school after a particularly nasty incident involving a birthday cake. They meet again forty years later, when one, a well-heeled artist, returns to his village and hires his former friend to tend the garden. Despite their divergent lives and opposing classes, the pair strike up a friendship based on curiosity as much as past affection. Even the sudden arrival of the painter’s latest girlfriend doesn’t shake their bond, although the gardener’s illness, and his protective wife, might.
Auteuil and Darroussin are totally engaging; utterly convincing as mates who share an fondness for fishing and family, women and gossip. Their rich, natural performances suggest Sideways with a Provençal twist; or Butch Cassidy without the guns. Although the content of their conversations may be forgotten, it’s the tone, the way in which two men share so much because of their differences, that will be warmly remembered when the lights come up.
3.5/5
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